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30.12.09
 

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Phill Niblock

Darmstadt Essential Repertoire 12/4/2009
Live @ ISSUE


Free Music Archive

 
 

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Termotank: Exosphere [rdm123]

Un disco de una musicalidad excelente, debido en gran medida a la finura expositiva y a un encuentro sincero con la profundidad focalizada desde la mente hacia el espacio exterior, es lo que el dúo argentino conformado por Guido Flichman y Matías Brunacci (integrantes ambos del cuarteto Cine Shampoo) nos trae para cerrar el año 2009. Abordan de lleno la última capa de la atmósfera terrestre en un periplo del entendimiento que manifiesta las fragilidades del ser humano en el universo. En forma de exploración sensorial, en cuatro etapas, por estancias donde la ingravidez roza lo absoluto, y envuelta en una circunferencia luminiscente pero de borde estriado, hiriente y de temerosa aproximación, los elementos sonoros que entran en juego son sometidos a una mutación constante y muy sutil. Se hace patente, por un lado, en el equilibrado dominio del colorido tímbrico, rico además de frío, siempre al encuentro de nuevas fuentes de sonido que proporcionen intriga y peso; por otro lado, en la claridad y la aparence ligereza de los mantos que se superponen, conjugan y entran en confrontación; y por último, en los deliciosos encajes texturales que constituyen los entramados. Interactuan bellamente en una aportación mutua y de continuo de nuevos pedazos de una lontana expresividad, piezas de un todo unido con gran delicadeza en lento movimiento giratorio y expansivo. Derivada del noise, en un contexto espacial, con desenvoltura drone y acercamiento minimalista, es ésta una exquisita obra de arte, de gran interés, lindeza y placer estético por lo demás. - ruidemos.org

 
 
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Rodrigo Amado em entrevista a Kurt Gottschalk
Spearmint Music

 
29.12.09
 

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Retribution Body, live on Rare Frequency 12/17/09
http://www.rarefrequency.com

 
28.12.09
 

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The Synthi Group, Volume Two [ca345]
Electronic Music Studio (EMS)

 
27.12.09
 

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All About Jazz - New York # 93 / January 2010

Django Reinhardt, Joanne Brackeen, Matana Roberts, Bill Holman, Lest We Forget: Vernel Fournier, Record Label Spotlight: Innova Records, Clubs in the New Decade, part 1, Latin Jazz, a Legitimate American Music

 
24.12.09
 

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Takács Quartet
Auditorium du Louvre, Paris, 20 Nov 2009

Ludwig van Beethoven, String Quartet nr. 14 op. 131
Wolfgang Rhim, String Quartet nr. 11
Edward Dusinberre, Károly Schranz, Geraldine Walther, András Fejér
http://www.medici.tv

 
 
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fallen - feathers [resting bell 076]
dreamy pop-music with a great sense for melodies and dramaturgy

 
20.12.09
 

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Antoine Verhaverbeke live in the studio
SILAKKA Radio Show, Helsinki, Finland

 
 

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«Luís Antero / Field Recordings pretende afirmar-se como uma plataforma fonográfica das regiões da Beira Serra e Serra da Estrela, fundamentalmente, fazendo uso de registos sonoros de vária ordem, dando primazia a elementos sonoros naturais e a tradições orais (...)».

 
19.12.09
 
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Terje Paulsen
the abundant emptiness between cold and heat
[TN019]
http://www.archive.org/details/tn019

 
 

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ERNESTO RODRIGUES viola, metronomes, objects
GUILHERME RODRIGUES cello, metronomes
GIL GONÇALVES tuba, metronomes
NUNO TORRES alto saxofone, metronomes
ABDUL MOIMEME prepared electric guitar, metronomes
CARLOS SANTOS electronics, metronomes
JOSÉ OLIVEIRA percussion, metronomes
suspensão
19 de Dezembro LerDevagar Lx Factory 24:00

 
 

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The music improvised by SAP(e) is entirely centred around a certain ideal of the listening experience. What this ideal means is basically a total belief in the sonic experience as a perception. Music is not made to be functional; it does not have to fulfil any spiritual or physical needs, apart from what is really heard. What is heard is what only matter. In this aspect, our music is not by any means conceptual, nor it is only emotional. Our music only exist in the perception of the listener, there is nothing else. The perception is the place where occurs the imagination, the sensibility, in other words the music.

Being obsessed by what is perceived when we play, it became quite logical then that we are also obsessed with dramaturgy. We are playing some kind of restricted sonic landscapes at low volume in a very minimal way, but we are not playing drone. We are improvising music that always seeks to match a certain formal accomplishment, which –basically- tries to go somewhere. Needless to say that it doesn’t always work perfectly, this is improvised, thus imperfect. Finally, the recording is a capture of a moment; it has to be considered as this, no more no less.

Guillaume Contré, September 2009
[http://modisti.com/releases/?p=7795]

 
 

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Hiroki Sasajima: Quadro [mandorla netlabel]

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Hiroki Sasajima: Moment and Silence [dog eared records]

 
18.12.09
 

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Roulette: Getting to know Alessandro Bosetti

 
 

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[Leyland Kirby, aka V/VM, The Caretaker & The Stranger]
14 Versions of the Same EP - Long Division with Remainders

 
17.12.09
 

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MILFORD GRAVES & DAVID MURRAY
Guelph Jazz Festival 2009
Live at the Co-operators Hall
Guelph, ON, Canada, September 13
[BigOMagazine]

 
 

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Open Ears Music
Adventure Jazz & Improvised Music


«The Open Ears Music Series consists of weekly concerts of interesting music, often of the improvised variety. The performances are on tuesdays, upstairs at
The Blue Nile, 532 Frenchmen St., New Orleans, LA»

Simon Lott's Another Day Will Happen
Simon Lott (drums and keys), James Singleton (bass, effects, cornet), Chris Alford & Cliff Hines (guitars and effects) Set 1 // Set 2

 
 

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Rodrigo Amado, East Coasting
Galeria Módulo - Centro Difusor de Arte, Lisboa

 
16.12.09
 

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Christopher McFall & Ben Fleury-Steiner
The Dirty And The Clean [conv54]

 
 

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Myra Melford em entrevista à At Length. Entre outros assuntos, Melford fala do novo disco, The Whole Tree Gone, a sair em Janeiro de 2010 na Firehouse 12 Records. Nele participa o ensemble Be Bread, liderado pela pianista e formado por Cuong Vu (trompete), Ben Goldberg (clarinete), Brandon Ross e Stomu Takeishi (guitarra) e Matt Wilson (bateria).

 
15.12.09
 

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Cabazada de Natal
Leitaria Camponeza, Lisboa / 15-18.12.2009

 
 
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Drew Gress, Jareed Sky
Live at Knitting Factory
MEZZO: sábado, 19.12 - 00h00

 
14.12.09
 
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Steve Reich, Four Organs (Either/Or Ensemble)
http://freemusicarchive.org
http://www.stevereich.com

 
13.12.09
 

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Maps And Diagrams' [Tim Martin] latest strike on classical electronica is also his first release on Yuki Yaki, which marks a little beatless respite after a number of more rhythmic outputs recently. Warmly droning ambient-textures with plenty of endless space echo, like in the good old days, dominate the album. Melancholy, contemplation and calm prevail - nicely wrapped in mysteriously shining soundscapes with a kiss of lo-fi noise. "The Giant Woods" [YkYk019] seems to be rather predestined for the dark Winter days to come.

 
 

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Werken (Tilman Ehrhorn) - Sum [zym024]

Sum is the debut album of Werken, one of the aliases of Tilman Ehrhorn known for his releases on Mille Plateaux and Resopal Schallware. Working full time as saxophone and reed player, composer, producer and sound designer Tilman Ehrhorn is a highly regarded jazz artist who also took roots in the electronic world. Among teaching, giving jazz clinics and regular work in theater, tv-, radio-, and cd- productions he has established himself as a composer as well as a performing artist in clubs, at festivals and for concert tours all over the world.

This release introduces an experimental and ambientish dubby side of his producing skills. Almost every sound has been generated on a modular synthesizer. Some important developing tools within the synth are sine and noise oscillators, with which also most of the percussion sounds are built. The majority of tunes are crossfading to the following; the progress of the album ranges from the opening track to its closing reprise like of one piece. In many parts of the tracks, beats are used rhythmically free to interrupt a pulsing soundpad, which is a main element of the music. Some minimal changing figures are taking hold to break up continous sequential patterns. The non-conventional manner of generating sounds as well as using elements of chance within the production process creates similarities with the improvisational niveau of jazz and contemporary composed music
.

 
 

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bBlunk (DoM DuboisTaine & Tiri Carreras) - 'O'bcal [insubordinations]

 
 

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Connie Beckley
Darmstadt Essential Repertoire 2009, vol. 1


Connie BeckleySound Split (1976), Tiptoe (1979), Showdown (1976), performed by the composer.

[http://freemusicarchive.org/]

 
11.12.09
 
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~
Flower-Corsano Duo
Live at ISSUE Project Room
http://freemusicarchive.org

 
 

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jajaja... como dice nuestro amigo Abdul Moimême, esto es ORO... Larry Ochs despertó por la mañana tras una noche de pesadilla (El País). Ou, se se preferir, Spanish fan calls police over saxophone band who were just not jazzy enough (Guardian), como conta o Rui Neves. A silly season é todo o ano, claro está. http://www.ochs.cc/

 
10.12.09
 

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Dave Douglas Quintet: Live At The Village Vanguard
Dave Douglas, Donny McCaslin, Uri Caine
James Genus, Clarence Penn
[NPR Music]

 
 
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Matana Roberts, The Independent Ear

 
 

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A versão completa do concerto de 15 de Julho da Darcy James Argue’s Secret Society, no clube nova-iorquino Le Poisson Rouge, está disponível para descarga gratuita na página web da orquestra. A actuação de Nova Iorque foi a primeira após a edição do CD Infernal Machines pela New Amsterdam Records, e inclui a estreia da peça Hard Up on the Down Low.

 
 
Dennis González na Signal to Noise

Signal to Noise
http://signaltonoisemagazine.blogspot.com

 
9.12.09
 

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Electronica 2.0 [Electronica Netlabel]

 
8.12.09
 

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Na Bypass saiu em Novembro passado MUST, novo e interessante trabalho de glitch/ambient do Operador de Cabine Polivalente de serviço, OCP. João Ricardo, criador da EdP - Editora do Porto, também publicou nas netlabels Test Tube, MiMi Records e Enough Records.

 
5.12.09
 

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«(...) We have a specially composed, seasonally inspired, work by Akira Rabelais which we're able to offer as a free download here. Titled '1340 Gaw. & Gr. knt 471 Wel by-commes such craft vpon cristmasse' and running at 59.54 mins, it's further exploration of the material Akira unearthed and treated for his samadhisound debut Spellewauerynsherde (...)» - Samadhisound

 
 
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Synflict - Prismatine
Marco Cervellin & Olliver Wichmann
[petcord - experimental electroacoustic netlabel]

 
4.12.09
 

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Roulette Concert Archive
http://www.roulette.org/

 
3.12.09
 

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CLOUDS IN MY HOME - White Blue Black [pass002]

Cutting edge live set by Feldmaus (Modul team members) recorded on NetAudio Moscow NCCA Festival 2009 in terms of Passage netlabel showcase. Take a complete journey through your innermost foggy dreams. Have a nice trip!

 
 

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All About Jazz - New York # 92 / December 2009

Christian McBride, Joey Baron, Peter Bernstein, Record Label Spotlight: Free Music Production, Hawaiian Tropic Zone, Ambrose Jackson, Henry "Red" Allen, Let's Tribute Ourselves & Holiday Gift Guide

 
2.12.09
 

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Interpretations presents:
FLUX Quartet premieres David First // Dom Minasi String Quartet
Thursday, December 10, 2009
8PM at Roulette, NYC
20 Greene Street (between Canal and Grand)

 
 

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DARMSTADT: ESSENTIAL REPERTOIRE Festival
[ISSUE Project Room - Free Music Archive]

 
jazz, música improvisada, electrónica, new music e tudo à volta

e-mail

eduardovchagas@hotmail.com

arquivo

setembro 2004
outubro 2004
novembro 2004
dezembro 2004
janeiro 2005
fevereiro 2005
março 2005
abril 2005
maio 2005
junho 2005
julho 2005
agosto 2005
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dezembro 2005
janeiro 2006
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março 2006
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julho 2006
agosto 2006
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maio 2007
junho 2007
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agosto 2007
setembro 2007
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dezembro 2007
janeiro 2008
fevereiro 2008
março 2008
abril 2008
maio 2008
junho 2008
julho 2008
agosto 2008
setembro 2008
outubro 2008
novembro 2008
dezembro 2008
janeiro 2009
fevereiro 2009
março 2009
abril 2009
maio 2009
junho 2009
julho 2009
agosto 2009
setembro 2009
outubro 2009
novembro 2009
dezembro 2009
janeiro 2010
fevereiro 2010
junho 2011
maio 2012
setembro 2012

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