nigel samways - veilleur de nuit [exp051]
http://www.experimedia.net/index.php?main_page=free
Silva ruidista en dos grandes movimientos:
primer movimiento
Adrián Juárez: Avanzando hacia aguas abiertas
Pangea: Manganeso
xedh vs. bazterrak: fade out 50 percent, acatar o protestar
José de Diego: Noche
Christian Galarreta: Condorito Shower
Omar Lavalle: Narrativas Fragmentadas 1
Yasushi Miura: Floes
AHD: Una Doble Trilogía
Blindhæð: Juana La Loca +3 Without Bush
Loty negarti: consumming the chanel. distorsion 001
segundo movimiento
Pablo Reche: Exposa
Mika Martini: El último Rito de la Cultura Calcárea
Jazznoize: Rugitus
Tzesne: Folk Wok
Jab Lemur: Centipede
Piscis: Mira por el ojo de la vaca
Cornucopia: En vivo @ MassArt, Boston 2005
yY: No olvides las estacas
Cneo Cornelio: (XXII) Como encontrar el amor y la felicidad hoy en día
http://www.archive.org/details/rdm080
Depois de ZVUK, Sergey Misyureff (To4ka.Dna) regressa com nova uma saída na Constanta, netlabel oriunda da cidade russa de Perm, nos Urais. AUGUST retoma o mesmo ambiente de serenidade electroacústica de ZVUK, criado com computador, saxofone, trompete, guitarra e piano. «Sound art, beauty of silence, gentle rustle and no fuss, but this music moves, it makes you follow it. Not a project, but a person and the way it sounds».
"free improvisation / free jazz"
torsion & distorsion, cavalcade minérale, métal rouge révolte, résonances du corps prêt à rompre. torsion & distortion, mineral cavalcade, revolt red metal, ready to break body resonances.
100 hand-made cdrs, including 30 ex. with delux screenprinted cover. freely & fully downloadable as usual. - http://www.insubordinations.net/releasescdr05.html
Novidades na JAZZ LOFT:
Peter Brotzmann Full Blast: Black Hole (BONUS DISC)
Avishai Cohen Flood
Humcrush Rest At Worlds End
Charles Bobo Shaw Red, Black and Green (180g LP)
Sunny Murray Big Chief (180g LP)
Ran Blake Driftwoods
Tom Harrell Prana Dance
Matthew Shipp Harmonic Disorder
Joshua Redman Compass
Gerald Cleaver/ William Parker/ Craig Taborn Farmers By Nature
Keith Jarrett Yesterdays
Enrico Rava New York Days
Joe McPhee Trio X: Live in Vilnius (Full Length 45RPM 2-LP Set)
Mats Gustafsson The Vilnius Implosion (Full Length 45 RPM LP)
Jorge Ben Forca Bruta (180g LP)
Powerplant Electric Counterpoint: Steve Reich/ Kraftwerk
Jimmy Witherspoon Singin' The Blues
Randy Weston Little Niles & Piano A-la-mode
Ornette Coleman The Paris Concerts 1965-1966
Revolutionary Ensemble Beyond The Boundary of Time
Keith Jarrett Live in Japan 93/96
Dennis Gonzalez Renegade Spirits
Vincent Courtois / Sylvie Courvoisier / Ellery Eskelin As Soon As Possible
Aki Takase / Rudi Mahall Evergreen
Novidades sobre o estado de saúde de David S. Ware:
Steven Joerg / AUM Fidelity (aum@aumfidelity.com)
Enviada: sexta-feira, 30 de Janeiro de 2009 4:17:38
Para: AUM Community (aum@aumfidelity.com)
Dear Friends,
Thank You All for your notes and your energy of support in response to the critical news. This page has been created to keep you up to date:
http://www.aumfidelity.com/david-s-ware-health.html
The beautiful news is that a number of potential donors have stepped forward; deepest blessings. The first is in the process of being screened toward potential transplant surgery. Medicare policy (David's principal insurance) is rather evidently that only one donor at a time may be screened. It is both David and this donor's hope that all may move toward this transplant. The screening process takes time as has been made apparent. David is in stable condition and continuing peritoneal dialysis at home. His spirits have been brightened in the past week and a half by all of your responsive energy, and we remain optimistic. When the time comes, we will send out a notice in response to the many inquiries we've had for donations toward further direct support.
AGAIN: To All who have extended their positive energy and prayers and love to David in response to the call, Thank You. To more good news soon! And once again, please do forward this notice and webpage link:
http://www.aumfidelity.com/david-s-ware-health.html
to all who we haven't yet reached with it.
– Steven Joerg/AUM/DSW
Sibelius - Complete Symphonies
[RCA Red Seal]
London Symphony Orchestra, Sir Colin Davis
Luís Antero - Sound Narratives, Vol. 1
«This is Luís Antero's Second Field recordings Album, All recordings take place in Portugal, between October 2008 and January 2009».
# 1 - Sound narrative using various field recordings in various locations in the centre of Portugal
The Sea - The sound of the Mediterranean Sea in the city of Figueira da Foz
Train Station - The sound of the ambience of a almost empty train station in the village of Pampilhosa
Water - Part 3 - The sound of the Alva River's water in Sabugueiro, the highest village of Portugal
«John Zorn:Tradition and Transgression»
John Brackett [Indiana University Press]
http://www.popmatters.com/pm/review/69270-john-zorn-by-john-brackett/
London Philharmonic Orchestra & Choir
Vladimir Jurowski
Richard Wagner, Parsifal Prelude
Alban Berg, Three Pieces for Orchestra, Op. 6
Gustav Mahler, Das Klagende Lied
Alberto Ginastera (1916 - 1983) – Works
Alexander Panizza, Peter Chris, Dora de Marinis, Julio Malaval
Slovak Radio Symphony Orchestra
Tres Danzas Argentinas; Doce Preludios Americanos; Duo for Flute and Oboe; Malambo; Milonga; Pequeña Danza del Ballet Estancia; Piano Concerto No. 1, op. 28; Piano Concerto No. 2, op. 39; Rondo, op. 19; Sonata No. 1, op. 22; Sonata No. 2, op. 53; Sonata No. 3, op. 55; Suite de Danzas Criollas; Three Pieces; Toccata.
Translations Of Opacity - For Michelangelo Antonioni [and.p33]
«This is an online companion project for the upcoming Antonioni double CD release entitled "Michelangelo Antonioni - Trilogy And Epilogue" (and/34), and is intended to serve as a general homage. The works featured on this project were solicited via public invitation. The artists were given free license to create work inspired by the late great film director, however out of all the submissions sent, only the ones featured here were chosen. Both the CD and online projects were planned and initiated (in June, 2007) three months before his passing in September of the same year, thereby making the launching of both projects all the more timely and poignant...
Even though the courtesy of giving people a chance to download and listen to each track is given, it is highly suggested that the entire release be downloaded and listened to in its proper order, so that the intended flow can be experienced».
Tenho andado na companhia auricular do italiano Luca Mauri, músico conhecido de alguns pelo trabalho como guitarrista nos grupos I/O e Two Dead Bodies, que em data recente se abalançou em estreia à aventura a solo com um disco suculento, editado na portuguesa Creative Sources Recordings. Between Love and Hate, o veículo de que falo, junta cinco peças de improvisação que elaboram a partir de drones minimalistas de cariz electroacústico, e fomentam atmosferas de lento acumular. Variações limpas de artifícios e despropósitos de um bom gosto que é raro ouvir-se. Música eminentemente nocturna e intimista, favorece a excursão pelos labirintos emocionais do ouvinte. Luca Mauri – guitarra eléctrica e efeitos. Gravação e mistura entre Janeiro e Abril de 2008. #1 a quiet storm; #2 decline of a beautiful face; #3 pulse/loop; #4 choke; #5 all that remains.posted by eduardo chagas @ 23.1.09
Taumaturgia: new CD-R's by Volontè, Rafael Mallo & Josetxo Grieta
Sunday January 25th
Okkyung Lee - cello
Nate Wooley - trumpet
www.myspace.com/okkyunglee
Alan Sondheim Solo
(ESP 1048, 1082)
http://nikuko.blogspot.com/
Totem (ESP 4046)
Bruce Eisenbeil - guitar
Tom Blancarte - bass
Andrew Drury - drums
www.myspace.com/nytotem
ESP-Disk' LIVE @ Zebulon
258 Wythe Ave
Brooklyn, NY 11211
http://www.zebuloncafeconcert.com/
Diissc Orchestra - D.O. [ca205] // «Soon after its founding in 2008, the DIISSC Orchestra has been invited to play at all major Lithuanian contemporary music festivals. The Orchestra's unique architecture -- five composers -- enables it to to play their own compositions and that of world-reknowned composers, produce live videos, present compositions involving a variety of disc players, stopwatches, special graphic scores, and low-tech devices. No laptop supremacy, no meaningful staring at a monitor. Performers perform! The DIISSC Orchestra presents contemporary music as an engaging sonic adventure with unforseen outcomes on stage. They make you feel as though you're listening to contemporary electronic music in a rock concert atmosphere» - Clinical Archives.
20 JANUARY 22:30 at O SECULO - CENTRO CULTURAL
http://inconstantsol.blogspot.com/
Sebastian Bergström, piano / Joacim Nyberg, baixo / Emil Åstrand-Melin, bateria www.ayler.com
+ [Miga30] VV.AA. "Integral" +
http://www.archive.org/details/miga30
O projecto é reeditar as gravações que Thomas Chapin (1957-1998) realizou para a Knitting Factory, entre 1990 e 1996. Alive, originalmente publicado em Novembro de 1999, homenageia a memória do saxofonista alto e flautista ao reunir todo o material que Chapin gravou, incluindo um concerto até então inédito, gravado na edição de 1995 do JVC-Newport Jazz Festival. Thomas Chapin, com Mario Pavone e Michael Sarin (Steve Johns em dois dos oito discos) e ainda Al Bryant, Mark Feldman, Curtis Fowlkes, Kiyoto Fujiwara, Frank London, Peter McEachern, Boris Rayskin, Marcus Rojas e Raymond Stewart.
«Listening to Thomas Chapin's seven trio CDs in the wake of his untimely death only drives home further the loss the jazz world suffered when he succumbed to cancer in 1998. Chapin's discography extends beyond the seven albums he and his trio released in the 1990s, but he never sounded more complete and rounded than when with his trio mates - bassist Mario Pavone and drummers Steve Johns and, for most sessions, Michael Sarin. Chapin's searing, rapid-fire solos and intricate melodies begged for a bassist that could match his stair-climb sprints and steep descents, and Pavone did so at all times. With Alive, you get the best tribute imaginable: a complete set of Chapin's Knitting Factory CDs along with a previously unreleased 1995 live session. From his trio debut, Anima, to the last studio album, Sky Piece, the band seems aimed at a group concept that's well defined and intensely creative. Chapin plays with a formal sense and tunefulness that owes tons to Sonny Rollins. Riffs build into minisolos, and rhythmic breaks become melodies, almost without the ear noticing. Chapin's group concept was expandable, too, which shows on Insomnia - with its five added brass players - and Haywire - with its three added string players. Where Insomnia milks the brass for thick funk, Haywire spins waltzes and string textures that emphasize a completely different realm of sonic nuance. The final CD of the set catches the trio live at the 1995 JVC-Newport Jazz Festival, and they play the complex tunes letter perfectly, with Sarin drumming especially hard and Chapin roughing up his tone far more than usual. At different times, he plays with the bittersweet bite of Eric Dolphy and the drive of Hank Crawford. He made it all an amazingly fluid continuum». - Andrew Bartlett
exp050 - mental health consumer - the measurement spoils the data
JANEIRO 2009
Dia 16 / Sexta-Feira / 17.30h - Panteão Nacional
- Hans Clavin & G. J. de Rook (Holanda)
- Pilar Talavera (Perú)
- Larissa Ferreira (Brasil)
21.30h
- Carlos Cabral Nunes / Numanépa (Portugal)
- Emilio & Franca Morandi (Itália)
- Günther & Colette Ruch (Suíça)
- Nieves Correa (Espanha)
Dia 17 / Sábado / 17.30h – Panteão Nacional
Exposição Documental “Encontros Nacionais de Intervenção e Performance 1985-1988” – Inauguração às 16h - (patente até 1de Fevereiro)
- Manuel Portela (Portugal)
- João Samões (Portugal)
- Eurico Gonçalves (Portugal)
- Fernando Grade (Portugal)
21.30h
- José Oliveira (Portugal)
- Günther & Colette Ruch, Marina Salzmann, Alexa Montani (Suíça)
- Chris Hales & Colectivo Multimédia Perve (Portugal)
posted by eduardo chagas @ 16.1.09
«Reedición de la opera prima de una de las bandas mas infravaloradas de los años 90 , Gutural. "Metal industrial" concebido para su grabación, gobernado por un sonido atronador de caja de ritmos, guitarras muy muy pesadas y una voz "gutural". El bajísimo tempo de su propuesta les torna en pioneros del doom mas extremo, un genero no muy alejado del llamado "drone" que mas tarde su programador y vocalista Txesus Garate, con su proyecto de experimentación electrónica Tzesne, desarrollaría en toda su plenitud. Como bonus tracks, 2 piezas inéditas pertenecientes a los ensayos de uno de los últimos trabajos de la banda que, por lances tecnológicos, no pudo ver la luz».
- [larr23] fernalia . eroaleak
«Gestados en el Matadeixe de Azkoitia y con una propuesta no muy diferente a la de Gutural, pero con elementos mas actuales y actitud mas "rock´n´roll", presentamos el primer disco de los gipuzkoanos Fernalia: "Eroaleak". En el hacen gala de una gran versatibilidad, mostrando desarrollos más elaborados y electrónicos de los que podemos escuchar en sus potentes directos, pero sin alterar la base: una caja de ritmos atronadora y los mantras de guitarras generados por Joseba Agirrezabalaga y Sokrates García, antiguo miembro de formaciones como Autoa y Akauzazte».
- [larr24] atanas akerstra
«Roge "Atanas" es uno de los miembros fundadores y aún en activo de Akauzazte. No demasiado lejos del intimidante tribalismo de la genial banda de Azkoitia, este disco recoge una serie de grabaciones, recopiladas durante 15 años, en los que Roge muestra una fáceta más intimista pero con el mismo grado de profundidad y visceralidad a la que ya nos tenía acostumbrados. El resultado es una suerte de "proto-blues-cósmico", que rehúye cualquier actitud mercantilista para adentrarse en las raíces más esenciales y honestas de la música rock. Completando la "akerstra", músicos de autentico lujo como Artzi Piel, Bernice J. Reagon y Xabier Erkizia».
ETUDE RECORDS Experimental, free jazz, free improv, noise and rare audio archives
Deram-no como acabado e o mais que se leu e ouviu sobre o apagamento da chama de David S. Ware, mas tudo não passava de exagero, pois o saxofonista tenor norte-americano aí está com um renovado quarteto e um disco a sair dentro de dias. Shakti, gravado em estúdio, é o primeiro que lança depois de extinto o David S. Ware Quartet, marca que atravessou toda a década de 90 e parte desta, de que Renunciation foi o epílogo. Em Julho de 2007, as conversações com o guitarrista Joe Morris chegaram a bom termo, e a estreia no Iridium de Nova Iorque augurou o melhor, já que William Parker (contrabaixo) e Warren Smith (bateria)estavam envolvidos no desnho e concepção deste novo projecto encabeçado por David Spencer Ware. Veio a primeira digressão no final daquele ano e a sessão de estúdio a meio de 2008, pronta a vir para a rua. Shakti, novo disco de David S. Ware na AUM Fidelity (AUM052). Sai a 27 de Janeiro.
Eis que em 2009 surgem duas novas ofertas homophonicas: asher - distances [homo033] e philip julian + michael renkel - in formation (neukölln) [homo034].
http://openearsmusic.org // Rajah (sopros e bricolage), Jesse Morrow (contrabaixo) Tommy Sciple (baixo eléctrico, set 2) e Dave Cappello (bateria). Set 1 (mp3) // Set 2(mp3)
Anthony Braxton, Alessandro Giachero, Antonio Borghini e Cristiano Calcagnile. LIVE at PP Cafe, Brussels, Belgium - 6CD box. a m i r a n i r e c o r d s
AMM, Trinity: depois de anos de silêncio, eis que surge uma nova saída da formação britânica de improvisação electroacústica na Matchless Recordings. Trinity, gravado ao vivo no Trinity College of Music, em Greenwich, Reino Unido, há um ano, em 13 de Janeiro de 2008, apresenta a mais recente reformulação do longevo trio AMM, nascido em 1965, agora com Eddie Prévost (bateria e percussão), John Butcher (saxofones tenor e soprano) e John Tilbury (piano). «The tiniest sound is amplified by intention. Other noises are transformed into counterpoint. The music begins. Tentative suggestions are offered, politely ignored, admonished or not noticed. Serendipitous slips of the wrist are canonised -- pursued by conflagrations and spectacular shell bursts. Momentum is achieved. The music has an energy with which the musicians can wrestle, deflecting its trajectory or being thrown inconsequentially aside. Tempo defied temporality. Logic limps away. As suddenly as the turbulence arose it subsides, hovering portentously, unpredictable and uncontrollable in all those ways a serialist doesn't trust. The musician waits, trying to anticipate and out-think the unthinking but thinkable direction the sounds will take. Construction overtakes the constructionist, who can only nod approvingly as the piers and girders of musical form slot automatically into place. Here is the invisible handshake, enjoined before a motion was ever formulated. The music makes itself -- just as man makes himself. Here are volition, intention, determination tempered by acceptance of eventuality. Here is definition by action. I am what I am because I do what I do, acted upon and acting upon. The sound returns. The contra-bass drum resounds, its deep vibration sympathising with the solar-plexus. The echo grows weaker and richer at the same time, as its lingering residue settles into the crevices of perception. The drummer raises the beater; then slowly and with conscious care withdraws the intention. No more sound is need».- Eddie Prévost
